Christian Bale’s Catharsis

Title: Beta Man: Christian Bale’s Catharsis
A psychological short story about Christian Bale confronting his shadow—Patrick Bateman—one last time.


INT. ABANDONED SOUNDSTAGE – NIGHT

A vast, dark space. Forgotten props litter the floor. At the center stands a mirror — floor-to-ceiling, smudged with time.

CHRISTIAN BALE, older now, rugged and thoughtful, walks in slowly. His eyes are haunted. He’s wearing a long, black coat. He’s alone. But he isn’t.

Across from him, Patrick Bateman, the ghost of his younger self, sits shirtless, drenched in sweat and Armani cologne, his skin glowing from some internal furnace of hatred and narcissism.

Bateman rises.

BATEMAN
You came back. I thought you buried me under Oscar speeches and Batman toys.

BALE
I tried. God knows I tried.

BATEMAN
The women never forgave me, did they?

BALE
No… not you. Me.

Bateman walks toward him, almost gently.

BATEMAN
You became me too well. They didn’t see the irony. They saw confession.

BALE
I was 25. I wanted a challenge. I didn’t know I’d become the poster boy for every finance creep’s Tinder bio.

BATEMAN
(taunting)
You made me seductive. You made violence… stylish. They don’t quote The Machinist in college dorms. They quote me.

BALE
(quietly)
I made you a Beta Man who thought he was Alpha. A hollow man, stuffed with labels, who couldn’t even cry.

Bateman slaps him across the face.

BATEMAN
You needed me. You needed the rage. You needed the hunger. You wanted to be hated by women. So you wouldn’t love them. So they couldn’t hurt you.

Bale turns away, trembling.

BALE
I don’t want to die remembered for you. Not for killing a woman with a chainsaw. Not for flexing in the mirror like a soulless porn god.

Bateman is suddenly behind him.

BATEMAN
Then kill me.

Bale turns — there’s a gun in his hand. Heavy. Old. Loaded with the weight of every meme, every misinterpretation, every woman who saw Patrick Bateman and said, this is what men want to be.

BATEMAN
You’re scared of facing them alone. The sisterhood. The scorned. The ones who felt the cold blade of your “method acting.”

BALE
(through clenched teeth)
I’m not afraid of women. I’m afraid… of what I taught them to hate.

BATEMAN
And what was that?

BALE
(whispers)
Me.

A beat.

BATEMAN
Then do it.

Christian Bale raises the gun. His hands shake.

BATEMAN
Kill the Beta Man.

BLAM.
Mirror shatters.

Bateman is gone. Just shards on the floor now — and Christian Bale’s reflection fractured in every one.


EXT. WOMEN’S SHELTER FUNDRAISER – DAY

Christian Bale stands onstage, humble, real, holding a check.

BALE
For every man who played a monster… and never said sorry… consider this a start.

The crowd claps. Some women cry. One yells, “You’re forgiven.”

He smiles, finally.


FADE OUT.
Sometimes the strongest man is the one who says, “That wasn’t me. That was the mask. And I’m sorry.”

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American Psycho: Dorsia (2026)

Title: American Psycho: Dorsia (2026)

Genre: Psychological Thriller / Satire / Horror

Written by: [Your Name]

Logline: In a post-pandemic world of billionaire influencers and AI-driven madness, Joseph Bateman, cousin of Patrick Bateman, navigates a hyper-capitalist New York City haunted by murders, doppelgängers, and the legacy of his cousin’s bloody psychosis. As he vies for a reservation at the new Dorsia, he must confront a chilling truth: the American Psycho never died—he simply evolved.

CAST:

  • Joe Jukic as Joseph Bateman
  • Christian Bale as Patrick Bateman (hallucination/flashback/voiceover)
  • Jared Leto as Paul Allen’s twin brother, Peter Allen
  • Donald Trump as himself (media mogul billionaire cameo)

ACT ONE:

New York, 2026. The world is sleek, sanitized, and controlled by algorithms. Joseph Bateman is a venture capitalist and lifestyle influencer with a cult following on TikTok and Threads. He is genetically and temperamentally the mirror of his cousin Patrick, but believes himself morally superior—he donates to carbon offset charities, hosts “mental health” retreats, and podcasts about ethics in capitalism.

Yet something is off. Joseph is haunted by recurring dreams of Patrick covered in blood, whispering Nietzschean riddles. When Peter Allen (Jared Leto), a sleazy NFT art broker and the twin brother of the “late” Paul Allen, returns to the NYC elite social scene, Joseph’s grip on reality begins to fray.

ACT TWO:

Joseph competes with Peter Allen for a table at the new Dorsia—now an exclusive, AI-run, members-only dining club atop a drone-patrolled tower in Hudson Yards. Dorsia isn’t just a restaurant; it’s a ritualistic status symbol among the ultra-wealthy.

Peter taunts Joseph about Patrick’s past. “He used to be you,” he says. That night, Peter disappears. Joseph claims he hasn’t seen him. But bloodstains on his Balenciaga trench coat say otherwise.

Donald Trump appears in a surreal cameo, interviewing Joseph on TruthSocial TV. Trump praises Joseph’s fitness regime, calls Patrick a “total loser,” and insists “Dorsia needs someone like me.”

Joseph starts hallucinating Patrick’s voice giving him stock tips and kill orders. He murders a young tech intern who questions his sustainability fund. He gets away with it by blaming it on a rogue AI.

ACT THREE:

Joseph spirals. He begins collecting masks—literal skin masks. The Dorsia reservation finally comes through. At the table, he finds every seat filled by men who look exactly like Patrick Bateman. The head waiter is Peter Allen.

“You never killed me,” Peter whispers. “You only killed your reflection.”

Joseph stabs Peter with a bone-handled steak knife. Blood sprays across the white noise-canceling glass. Everyone applauds.

FINAL SCENE:

Joseph stares into the mirrored wall of Dorsia. Patrick stares back.

Voiceover (Bale): “There is no real me. Only an entity. Something illusory.”

The city outside flickers. Times Square ads play Joseph’s own face.

Cut to black.

Tagline: “Status is dead. Long live the Psycho.”


Note: This script is ripe for meta-commentary on post-truth politics, influencer culture, techno-capitalism, and digital narcissism. A24 or Neon would be ideal distributors. The soundtrack blends Hans Zimmer tones with distorted 80s synthwave remixes.

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